You know, one of these times I should probably find something /really/ different. Maybe I'll go to Ottoman Turkey.... But because this is on a single garment, and an actual example, this post will likely be shorter than usual.
Anyways, we're moving forwards by yet another century to 1870s Great Britain, where there is a lovely example of a double breasted morning coat in the V&A museum.
Tuesday, August 23, 2016
Sunday, August 14, 2016
The Next Piece: Stripey Doublet of Eyeblinding..ness?
Yeah, a stripey doublet...I know. After doing a bunch of resource
gathering, I noted a number of doublets with horizontal stripes...and
remembered that I had a bolt of lovely voided striped velvet.
Especially after making this year's pluderhose, I needed a new doublet
to go with them. I designed the doublet in an (early) 1570s German
style to match the pluderhose.
Tuesday, August 9, 2016
Featured Garments: William Wollaston, 1759
The last two featured garments featured hunters--from the same decade, but different cultures and classes; so, this week we'll take it up a few notches by moving up a class and a century. Thankfully, there should be less guesswork this time around, since the painting is both clearer, and I have more data to pull from.
The topic for this week is a lovely, blue and white suit worn by one William Wollaston, in a painting by Thomas Gainsborough in 1759--can't get that much different from 1640s German working class. Or can you...? Commonly, this is close to a style beginning to appear at this time--the ditto suit, where coat, waistcoat, and breeches were in the same fabric. Obviously, it isn't, since the coat is white, however....
The topic for this week is a lovely, blue and white suit worn by one William Wollaston, in a painting by Thomas Gainsborough in 1759--can't get that much different from 1640s German working class. Or can you...? Commonly, this is close to a style beginning to appear at this time--the ditto suit, where coat, waistcoat, and breeches were in the same fabric. Obviously, it isn't, since the coat is white, however....
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Oil painting of William Wollaston, 1759, by Thomas Gainsboroug. Holbourne Museum. |
Wednesday, August 3, 2016
Early Front Fall Trousers...Code Name: Hobbit Pants
For the HSM (link to the right, as always) Monochrome challenge, due at the end of July, I decided on a pair of narrow fall, front-fall trousers in white corduroy.
This particular project was actually fun, actually; fairly simple, and new enough to not be boring. When I ran across a pattern drafting manual by Amanda Jones from 1822, I simply had to make something out of it...and since I both needed a new pair of relaxed pants (which fit well enough in the waist that I wouldn't need a belt), and eventually need to make a pair of narrow front fall trousers to go with my Wanderer Frock coat. So my "Hobbit pants" project was born, as a practice piece.
This particular project was actually fun, actually; fairly simple, and new enough to not be boring. When I ran across a pattern drafting manual by Amanda Jones from 1822, I simply had to make something out of it...and since I both needed a new pair of relaxed pants (which fit well enough in the waist that I wouldn't need a belt), and eventually need to make a pair of narrow front fall trousers to go with my Wanderer Frock coat. So my "Hobbit pants" project was born, as a practice piece.
Monday, August 1, 2016
Research Dump: No 9
Well, that was...fun. I realized it has been over a year since I assembled a research dump--shame on me. Even so, there aren't a massive quantity of links, since I haven't been doing true research and reading of academic papers for some time.
This collection covers a wide variety, but are mostly clothing and textile of a variety of periods, including Ottoman Turkish, 18th century, and high medieval.
This collection covers a wide variety, but are mostly clothing and textile of a variety of periods, including Ottoman Turkish, 18th century, and high medieval.
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