You know, one of these times I should probably find something /really/ different. Maybe I'll go to Ottoman Turkey.... But because this is on a single garment, and an actual example, this post will likely be shorter than usual.
Anyways, we're moving forwards by yet another century to 1870s Great Britain, where there is a lovely example of a double breasted morning coat in the V&A museum.
Tuesday, August 23, 2016
Sunday, August 14, 2016
The Next Piece: Stripey Doublet of Eyeblinding..ness?
Yeah, a stripey doublet...I know. After doing a bunch of resource
gathering, I noted a number of doublets with horizontal stripes...and
remembered that I had a bolt of lovely voided striped velvet.
Especially after making this year's pluderhose, I needed a new doublet
to go with them. I designed the doublet in an (early) 1570s German
style to match the pluderhose.
Tuesday, August 9, 2016
Featured Garments: William Wollaston, 1759
The last two featured garments featured hunters--from the same decade, but different cultures and classes; so, this week we'll take it up a few notches by moving up a class and a century. Thankfully, there should be less guesswork this time around, since the painting is both clearer, and I have more data to pull from.
The topic for this week is a lovely, blue and white suit worn by one William Wollaston, in a painting by Thomas Gainsborough in 1759--can't get that much different from 1640s German working class. Or can you...? Commonly, this is close to a style beginning to appear at this time--the ditto suit, where coat, waistcoat, and breeches were in the same fabric. Obviously, it isn't, since the coat is white, however....
The topic for this week is a lovely, blue and white suit worn by one William Wollaston, in a painting by Thomas Gainsborough in 1759--can't get that much different from 1640s German working class. Or can you...? Commonly, this is close to a style beginning to appear at this time--the ditto suit, where coat, waistcoat, and breeches were in the same fabric. Obviously, it isn't, since the coat is white, however....
Oil painting of William Wollaston, 1759, by Thomas Gainsboroug. Holbourne Museum. |
Wednesday, August 3, 2016
Early Front Fall Trousers...Code Name: Hobbit Pants
For the HSM (link to the right, as always) Monochrome challenge, due at the end of July, I decided on a pair of narrow fall, front-fall trousers in white corduroy.
This particular project was actually fun, actually; fairly simple, and new enough to not be boring. When I ran across a pattern drafting manual by Amanda Jones from 1822, I simply had to make something out of it...and since I both needed a new pair of relaxed pants (which fit well enough in the waist that I wouldn't need a belt), and eventually need to make a pair of narrow front fall trousers to go with my Wanderer Frock coat. So my "Hobbit pants" project was born, as a practice piece.
This particular project was actually fun, actually; fairly simple, and new enough to not be boring. When I ran across a pattern drafting manual by Amanda Jones from 1822, I simply had to make something out of it...and since I both needed a new pair of relaxed pants (which fit well enough in the waist that I wouldn't need a belt), and eventually need to make a pair of narrow front fall trousers to go with my Wanderer Frock coat. So my "Hobbit pants" project was born, as a practice piece.
Monday, August 1, 2016
Research Dump: No 9
Well, that was...fun. I realized it has been over a year since I assembled a research dump--shame on me. Even so, there aren't a massive quantity of links, since I haven't been doing true research and reading of academic papers for some time.
This collection covers a wide variety, but are mostly clothing and textile of a variety of periods, including Ottoman Turkish, 18th century, and high medieval.
This collection covers a wide variety, but are mostly clothing and textile of a variety of periods, including Ottoman Turkish, 18th century, and high medieval.
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