Sunday, April 7, 2024

GUEST POST: Preservation of Leather Artifacts in Archaeology

That's right...a rare guest post on Matsukaze workshops; my Apprentice's partner wrote out this gem, and I offered to host it until (and if) he creates his own webpage, as it's useful and well written information--plus it's far easier to share a webpage than a document.  Factors for preservation for organic materials is something which I have regularly needed to reference when recreating or discussing archaeological finds.
        Maistre Bran


Preservation of Leather Artifacts in Archaeology

Leather artifacts bear crucial information on past civilizations, craftsmanship, the norms of society, and daily life. However, organic materials, mainly leather, are prone to several problems that hinder their preservation at archaeological sites due to their sensitivity to environmental conditions. The scarcity of preserved leather at archaeological sites poses enormous challenges to historians and conservators. This scarcity is not by chance, but by a combination of environmental conditions, including the composition of the soils, moisture levels, and the practices of burying artifacts. This study will explore some of the factors controlling leather preservation at different archaeological sites. It will give insight as to why leather items survive across the timeline versus other perishable materials. This study reinforces these factors as the best-understood contribution of environmental and human influences to archaeological survival by comparing extant examples from the Birka, York, and Vindolanda archaeological sites. Through this research, we aim to shed light on the complexity of ancient leather conservation, which will be the first stage in a journey to acknowledge the selective nature of leather discoveries.

Peasant Fashion in the Low Countries: Stage 2. Joachim Beuckelaer

Next up is Joachim Beuckelaer, born 1533, d. 1574, and most active through the 1560s.  His artwork focuses on markets; meat, poultry, fish, and veggies, and this can show an insight into some of the tools of those various trades as well as different foodstuffs in Antwerp.  He was a nephew of and possibly learned to paint from Pieter Aiertsen, who was the first artist on my list; I think you can definitely see some stylistic similarities between the two.